Mixing is an art and a science. Generally there are no rules for mixing in that every project is different and the confines of rules would stagnate the creative process. There are however some basic engineering principle rules that should be followed which is just plain ol' good engineering common sense and practice.

Services:
Editing “The perfect take”
Post processing of tracking sessions
Bit rate/depth Conversion
Warming of digital recordings
Mixing
Limited on-location recording

Supported File Manipulation:
32 bit floating point editing (Nuendo)
24 bit for ProTools (Nuendo)
Dither to 16 bit with Apogee’s UV-22

Outboard
Eventide Orville: Their Flagship Harmonizer, Pitch Shifting, Reverb, Flange, et cetera
Line6 POD Pro: Guitar amplifier modeling
Rosendahl NanoClocks: Digital Audio Clock Server
Mackie 24x4 VLZ with XDR microphone preamplifiers
(2) M-Audio Delta 1010  24-bit 96kHz A/D D/A
(2) ART DI/O tube A/D D/A 24-bit 96kHz
Additional custom tube equipment and magnetics (my passions as an electrical engineer)

Software:
Nuendo: Editing, mixing, processing...
UAD-1: Powered Plugins (DSP Hardware PCI card)
FreeFilter: Linear Phase Adaptive EQ
AutoTune: Pitch correction
Absynth: Multimethodology Synthesizer VSTi
Battery: Layered Sampler and Drum Machine VSTi
Various other VST and DirectX plug-ins
  (coming soon: my own custom DSP VST plug-ins)

0,41+ Terabytes of storage (including removable harddrive bays)


Preferred file transfer mediums (Do not send originals):
Please contact chrism@blueskydevice.com for scheduling and coordination of media transfers.

Media (for smaller projects): Broadband Upload/Download FTP, DVD
Hard drives: IDE, Firewire IEEE 1394, USB 1.1, SCSI 2 68 Pin